![]() ![]() There is nothing morally incorrect about enjoying magic, but it does not seem to have the potential to be as fulfilling or profound as art forms do. In this sense, it cannot be classified into a conventional category of art. Nor is magic a reflection of values, negative or positive. Magic, however, does not reflect an artist’s metaphysical value judgments as it is not a reflection of his sub-conscious view of existence. But upon seeing her passport, he is captivated by her beauty and contacts her to return it, with the story that he found it on the platform. A rational person knows that there is no mysticism behind the illusion.Īyn Rand defined art as a “selective re-creation of reality according to an artist’s metaphysical value judgments” (The Romantic Manifesto, p.19). In 1984, August (Brian Martin), a talented pickpocket, has stolen April’s (Bettrys Jones) bag on the Paris Métro. The enjoyment does not come from imagining a mystic characteristic to the world, but from appreciating the thought process behind creating the illusion. So there is undoubtedly enjoyment to be derived from magic that is not in conflict with the Objectivist moral code. But we can certainly appreciate that the magician has found clever ways of creating a supernatural effect using natural laws, and it can be entertaining to guess about these. Even young children are aware of this, and know that the magicians are not capable of such leaps of logic. Obviously, the magician himself knows that he is incapable of twisting reality in irrational ways in fact, he knows this better than most. Magicians usually pretend that they are in fact capable of mystical acts, but that is part of the act and is rarely taken seriously. In this sense, magic is fun entertainment. ![]() Personally, I am usually impressed that the performer found such fascinating ways of using the immutable laws of reality, ways that I probably would not have thought of. ![]() A person viewing this magic can respect the performer for his originality of thought in thinking up the tricks. Coming up with what will appear magical is not an easy task and takes effort. The creation of magic tricks can thus be an interesting exercise in thought. The basis for most magic tricks is simply a clever sleight of hand or thought that may not occur to an observer and so will appear to be magical. Three magicians emerge from behind the mysterious curtain that veils the world of illusion to enlighten us on the art of the. Since the world does not operate along supernatural laws, the seemingly supernatural effects created by magic tricks are in fact created by using what is real, in unconventional ways. Is there?Īnswer: Magic and illusion are actions that aim to produce effects that appear to be paranormal or impossible by the laws of logic and nature that we know to be true. Question : What is the Objectivist view of the art of magic and illusion (as a performance art)? It seems to me that there might be a conflict between the mysticism that magic is based on and the Objectivist's moral code. ![]()
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